Sometimes (maybe in some ways always) this blog gets personal even though I write it as an advocate. But today it becomes very personal. So skip it if that bothers you.
Today I write as a highly gifted, highly creative, highly sensitive kid currently living inside the body of a grandmother. Please understand that I am writing to the highly gifted kids in you adults who are reading here, as well as the highly gifted kids in your lives for whom you are advocates. Two days ago I went to see the new movie “The Man Who Knew Infinity,” based on the life of Srinivasa Ramanujan Iyengar, a profoundly mathematically gifted young Hindu man who gave the world mathematical formulas that are still, 100 years after his death at age 32, helping scientists to understand the universe we live in.
I happened to be alone in the theater when I saw it (though it was sold out when I tried to go on Sunday) and I had to sit in my seat all the way through the very long credits before getting up to leave because I didn’t want to be seen crying in the lobby. Since then I’ve read various reviews of the movie by film critics and mathematicians and they grump about various aspects of the movie, from Dev Patel being thin and gorgeous (well, truth be told, that’s my word—the words the reviewer used meant close to the same thing) when the real young man was chubby, to inaccuracies in the back story, to the fact that Jeremy Irons, who plays Ramanujan’s mentor, is “too old” for the part. This last is explained by the fact that it took 10 years to get funding for the film because it was clear that it wasn’t going to be mainstream and popular. Well, duh! It is about a young man who was one of the world’s most exceptional minds.
There are various reasons I cried at the end—the most obvious of which is that Ramanujan, though finally having had his mind and his work accepted, dies in the end. But more than that is the same reason I cried in “The Imitation Game” (about Turing) when the brilliant young woman tells Turing how much having found an intellectual equal means to her. Both movies show vividly how the world treats the profoundly gifted whose ideas, thoughts, and behaviors are very much outside of “the norms.”
The highly creative and highly sensitive parts of me are easily triggered. I live stories I encounter that touch on human emotional realities, and I feel them deeply. I always have. I cried on and off for two whole weeks after reading The Yearling when I was nine. I have not (and will not, it seems) outgrow that. It can be a challenge sometimes to live that way.
Also, recently, I posted on FB that I’ve been re-watching the first season of HBO’s dramatic series, “The Newsroom,” by Aaron Sorkin while riding my stationary bike. I suggested that everyone disturbed by the current political climate in this country might want to see those early episodes, where Sorkin pretty much predicted the state we’re in today and showed us how we were on our way to getting here. Today, again, watching the fifth episode, I found myself in tears. Emotional overexcitability causes that, plus the frustration of feeling myself (like the main characters in the show) far outside of popular culture and all too aware of and pained by the current chaos.
It is mostly for these reasons that I have become so great an advocate for finding a way to meet the spiritual needs of our gifted kids, for understanding that their hearts are in as great need of understanding and support as their heads. This is perhaps the greatest asynchrony of all, the need our cheetahs and mermaids/mermen have for heart-felt meaning in their lives. For some this is a need answered by religion. For many others it is a need almost totally unrecognized. As Viktor Frankl said, in Man’s Search for Meaning, if one has a “why” to live, one can bear with almost any “how.”
Neither “spirituality” nor “meaning” are mentioned in “The Newsroom,” but they are actually the driving force (presented as morality and ethics) behind the series itself. There is an emphasis on caring, on humanity, on connection, on—as the Dalai Lama would say—kindness. However short we humans fall in meeting our best intentions in these areas, the effort is essential.
As for “The Man Who Knew Infinity,” here is what Preston Wilder, reviewing it for the Cyprus Mail, said that captures what moved me the most about this movie: “The film works best as a moral/mystical debate – process vs. intuition, Man vs. God. GH Hardy (Jeremy Irons) is the Cambridge professor who becomes Ramanujan’s mentor – and Hardy is a proud atheist (though it may be more accurate to say, as his protégé puts it, that ‘you do believe in God, you just don’t think He likes you’), trusting only in science. ‘It’s the only truth I know; it’s my church,’ he declares – but the film contrasts his insistence on supplying proofs for everything with Ramanujan’s trust in fully-formed truths emerging intuitively, and it also opens with Bertrand Russell’s dictum that ‘Mathematics, rightly viewed, possesses not only truth but supreme beauty’. Maths is an artform (our hero says his equations are ‘like a painting’), possessed of beauty and quasi-mystical origins. ‘How do you know?’ asks a bewildered prof when Ramanujan solves a problem out of thin air. ‘I don’t know,’ comes the reply; ‘I just do’. Richard Dawkins [the “militant atheist”] can’t be very happy with this movie.”
For Ramanujan, a Hindu, his religion is the vessel for meaning, and for Hardy meaning comes through mathematics itself. But even Hardy’s atheism and insistence on proofs must finally allow for both mystery and meaning in the workings of Ramanujan’s extraordinary mind.
There are plenty of reviews out there about this movie with plenty of quibbles. But I wish all those people who suggest that the very idea of giftedness is elitist, that “all children are gifted” or that extraordinary contributions to human knowledge could be made by nearly anyone who “practices” 10,000 hours or more and has plenty of grit, would see it. Ramanujan had an inborn, unique–and let us remember that the meaning of unique is not just “different” but “one of a kind”–mind with a unique passion. There is deep, if deeply mysterious meaning in humanity’s infinite variety-within-oneness, in our individual differences.